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There's quite a bit of folk tradition stuff which is fantasy -- e.g. The Demon Lover, there are songs about selkies, etc. ----- Original Message ----- From: Joe Kesselman <keshlam@attglobal.net> > Paul Ciszek wrote: > > If we are planning a guerilla performance at NEFFA, perhaps we should > > have something folky prepared. > > NEFFA spans a very wide range of styles and puts a heavy emphasis on > education, so I'm not sure it's any more necessary for us to perpare > something in the American Standard Folk tradition than it would be for a > zydeco band, or the morris dancers, or the folks doing Balkin tunes, or > the sea chanty groups, or... > > My own take -- which folks are welcome to critique -- is that "guerilla > filk" probably needs more of an emphasis on stuff which nonfilkers can > pick up quickly and understand without needing a deep filk/sf/science > background. Strong performances of strong songs which stand alone and > have sing-along or call-and-response parts might be optimal... but as > noted above, while it's good to do some participatory stuff I don't > think we're boxed into it; we could do as much or as little as we want. > > So Paul's suggestion, which is an interesting one, should be viewed as > an opportunity rather than a requrement. If we want to go for it, great; > if not, that decision won't hurt us. My only concern is that we may want > to pick songs which would also work well for a filk audience... and that > we've already got a bit of a backlog. Though we're starting to get good > enough at some of our existing material that all we may need is a once- > or twice-through to help sharpen it and keep it fresh, which will give > us more time to work on new songs. > > > Might be worth going through Walkabout's book, and Rise Up Singing, some > time to find out how much of that material's already in our shared > repertoire and how much of it we already know harmonies for. Walkabout > had some very nice four-part-harmony stuff ... unfortunately, most of it > was collectively ad-libbed and then passed along via oral tradition, > which means that I probably know only the melody and the bass part.]] > > > > "When I'm Gone" is easy to learn, but then, > > I'm partial to Phil Ochs. > > > > Last night at Psinging I learned that some 4-part rounds can be turned > > into 8-part rounds if you run two clocks in quadrature. > > > > -- > > Paul Ciszek > > pciszek@world.std.com > > -- > ------------------------------------------------------ > Joe Kesselman, http://www.lovesong.com/people/keshlam/ > Appearing March 10 at Walkabout, a double bill: > Vance Gilbert shares our stage with Stone Soup > http://www.WalkaboutClearwater.org/coffeehouse.html > >